Você sabia que existe um Aquário em São Paulo?

Aqui tem umas informações sobre o passeio.

E aqui tem o site oficial.

Big Tree

Foto antiga de uma das maiores árvores do mundo: a sequóia gigante "Boole" fica no Sequoia National Park, nos EUA.

Venha revelar sua sensualidade com Zaldirene!

chorei!
hahahahahahaha

clique aqui e divirta-se também!


p.s. thanks, vicks!

A beleza está mesmo nos olhos de quem vê

O rosto pode indicar a atitude de uma pessoa frente a relacionamentos, segundo um estudo publicado nesta quarta-feira no "Journal of Evolution and Human Behaviour".

O estudo concluiu, por exemplo, que as mulheres vêem homens com maxilar mais quadrado, nariz maior e olhos menores como menos dispostos a ter um relacionamento sério e mais abertos a sexo sem compromisso.

Os pesquisadores das universidades britânicas de St. Aberdeen, St. Andrews e Durham entrevistaram 700 pessoas heterossexuais na faixa etária de 20 e poucos anos.

Os pesquisadores mostraram aos participantes pares de fotografias e pediram que eles indicassem qual rosto acreditavam ser de uma pessoa mais aberta a relações sexuais curtas ou sexo sem amor e qual parecia ser de uma pessoa mais inclinada a ter relacionamentos sérios.

As respostas foram então comparadas com a real atitude frente a relacionamentos das pessoas mostradas nas fotografias, com base em um questionário feito anteriormente.

Os pesquisadores afirmam que muitos puderam indicar com precisão quem era mais interessado em qual tipo de relacionamento.

Segundo os pesquisadores, as pessoas usam essa percepção para selecionar seus parceiros, dependendo do tipo de relacionamento que buscam.

Para as mulheres, a imagem da esquerda indica uma tendência maior a relacionamentos sexuais de longo prazo.

Para os homens, a imagem da direita indica uma tendência maior a relacionamentos sexuais de curto prazo.

Preferência

Os participantes também indicaram qual rosto parecia ser mais feminino ou mais masculino e, no geral, qual parecia ser mais atraente.

Os homens indicaram uma preferência por mulheres que pensam, ao olhar para o rosto delas, estar abertas para relacionamentos sexuais de curto prazo. Já as mulheres estariam em busca do oposto.

O estudo revelou também que a maioria das mulheres acha os homens com rostos que indicam um certo nível de promiscuidade pouco atraentes, tanto para relações rápidas como para relacionamentos longos.

"Esse estudo mostra que a impressão inicial que temos das pessoas pode fazer parte da nossa avaliação sobre potenciais parceiros ou potenciais rivais", afirma Lynda Boothroyd, da Universidade de Durham.

Bem Jones, da Universidade de Aberdeen, diz que outros estudos já haviam indicado que é possível perceber várias características pessoais, como condições de saúde e traços de personalidade, como introversão, apenas ao olhar para o rosto da pessoa.

"Mas esse é o primeiro estudo a mostrar que as pessoas também percebem sinais faciais sutis sobre o tipo de relacionamento que os outros querem ter", afirma.


>> fonte: BBC Brasil.com

Que tal um belo jantar e uma boa ação ao mesmo tempo?

Você conhece a Creche Maria Dulce? Eles fazem um excelente trabalho junto a famílias carentes. Clique aqui ou no logo deles abaixo para saber mais.


E pra continuar esse trabalho tão legal, eles vivem promovendo jantares temáticos lá na creche. Na home do site você pode se inscrever pra ser avisado quando eles vão acontecer.

Clique aqui e veja as fotos dos últimos jantares e saiba quando será o próximo.

Faça sua parte!

;-)

Meine Damen und Herren!

Está rolando em várias cidades do Brasil o Kulturfest, promovido pela Embaixada Alemã, o Consulado Geral em SP e o Goethe-Institut, com exposições, dança, cinema e música. Vale muito a pena!

Clique no logo abaixo para acessar o site ou clique aqui e vá direto para a programação na cidade de São Paulo.

Para realizar de verdade seus sonhos de criança

Randy Pausch era até recentemente um desconhecido professor de 47 anos de ciência da computação na Universidade Carnegie Mellon. Até descobrir que tinha um câncer terminal do pâncreas e resolver dizer suas "últimas palavras" a seus alunos em setembro de 2007. Sua fala acabou atraindo a atenção de um jornalista do Wall Street Journal, que deu um link para um trecho de cinco minutos de seu discurso na Internet, de um total de mais de uma hora.

O vídeo foi visto por mais de 6 milhões de pessoas no YouTube, transformou vidas e está prestes a se tornar um fenômeno editorial - a Hyperion pagou U$ 6.7 milhões pelos direitos de The Last Lecture, que será publicado no mês que vem. A filosofia otimista que ele pregou, numa conferência pontuada por risos e lágrimas, resultou em cenas que lembram uma versão na vida real de "Sociedade dos Poetas Mortos", diz o Independent.

"Não sei como não me divertir", diz Pausch a sua audiência. "Estou morrendo e me divertindo e vou me divertir todos os dias que me restam". "Encontre o melhor em todo mundo. Pode ser que você tenha de esperar um tempo, mas as pessoas mostrarão seu lado bom. E esteja preparado. Sorte é onde a preparação se encontra com a oportunidade", afirmou ele.

Veja o vídeo logo abaixo. Para uma transcrição de toda a fala de Pausch, veja seu site. E esteja também preparado: as emoções são fortes, e podem mudar seu jeito de ver e viver a vida.

A China apela...

Até porque todos os budistas que eu conheço são mesmo suicidas e violentos... :P

You go, Dalai Lama! :D

O que fazer se alguém infartar na sua frente

Use compressões no peito de pessoas que subitamente têm um colapso, mesmo que você não seja treinado em ressuscitação cardiopulmonar (RCP), diz a American Heart Association.

Em recomendações publicadas em sua revista Circulation, a associação enfatiza que a RCP deve ser tentada apenas com as mãos, para quem não quiser ou puder fazer o boca-a-boca. "O que mata as pessoas no caso é a inação", diz Micheal Sayre, da Ohio State University, segundo a Reuters. Empurrar com força e rapidamente o peito de pessoas infartadas é necessário para manter o vital fluxo sangüíneo, de acordo com especialistas.

"Hoje, nos EUA, menos de um terço das vítimas de ataques cardíacas recebe qualquer tipo de RCP. Qualquer coisa que aumente isto vai salvar vidas", afirma Sayre. Muitas pessoas temem ajudar por acreditar que poderão fazer algo errado. Nas circunstâncias, diz ele, "não dá para ser pior".

Cerca de 310 mil pessoas morrem por ano nos EUA de ataques súbitos fora de hospitais. A ajuda de pessoas na rua pode dobrar ou triplicar as chances de sobrevivência.

Freeze!

Be kind, rewind

He has awaken from the dream of life

I weep for Adonaïs -- he is dead!
Oh, weep for Adonaïs! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonaïs; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness?

Oh, weep for Adonaïs -- he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend -- oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep anew!
Not all to that bright station dar'd to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perish'd; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road,
Which leads, through toil and hate, to Fame's serene abode.

But now, thy youngest, dearest one, has perish'd,
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherish'd,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipp'd before they blew
Died on the promise of the fruit, is waste;
The broken lily lies -- the storm is overpast.

To that high Capital, where kingly Death

Keeps his pale court in beauty and decay,

He came; and bought, with price of purest breath,

A grave among the eternal.--Come away!

Haste, while the vault of blue Italian day

Is yet his fitting charnel-roof! while still

He lies, as if in dewy sleep he lay;

Awake him not! surely he takes his fill

Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!

Within the twilight chamber spreads apace

The shadow of white Death, and at the door

Invisible Corruption waits to trace

His extreme way to her dim dwelling-place;

The eternal Hunger sits, but pity and awe

Soothe her pale rage, nor dares she to deface

So fair a prey, till darkness and the law

Of change shall o'er his sleep the mortal curtain draw.

Oh, weep for Adonaïs! The quick Dreams,

The passion-winged Ministers of thought,

Who were his flocks, whom near the living streams

Of his young spirit he fed, and whom he taught

The love which was its music, wander not--

Wander no more, from kindling brain to brain,

But droop there, whence they sprung; and mourn their lot

Round the cold heart, where, after their sweet pain,

They ne'er will gather strength, or find a home again.

And others came . . . Desires and Adorations,

Winged Persuasions and veil'd Destinies,

Splendours, and Glooms, and glimmering Incarnations

Of hopes and fears, and twilight Phantasies;

And Sorrow, with her family of Sighs,

And Pleasure, blind with tears, led by the gleam

Of her own dying smile instead of eyes,

Came in slow pomp; the moving pomp might seem

Like pageantry of mist on an autumnal stream.

Ah, woe is me! Winter is come and gone,

But grief returns with the revolving year.

Through wood and stream and field and hill and Ocean

A quickening life from the Earth's heart has burst

As it has ever done, with change and motion,

From the great morning of the world when first

God dawn'd on Chaos; in its stream immers'd,

The lamps of Heaven flash with a softer light;

All baser things pant with life's sacred thirst;

Diffuse themselves; and spend in love's delight,

The beauty and the joy of their renewed might.

Shall that alone which knows

Be as a sword consum'd before the sheath

By sightless lightning?--the intense atom glows

A moment, then is quench'd in a most cold repose.

Alas! that all we lov'd of him should be,

But for our grief, as if it had not been,

And grief itself be mortal! Woe is me!

Whence are we, and why are we? of what scene

The actors or spectators? Great and mean

Meet mass'd in death, who lends what life must borrow.

As long as skies are blue, and fields are green,

Evening must usher night, night urge the morrow,

Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!

"Wake thou," cried Misery, "childless Mother, rise

Out of thy sleep, and slake, in thy heart's core,

A wound more fierce than his, with tears and sighs."

And all the Dreams that watch'd Urania's eyes,

And all the Echoes whom their sister's song

Had held in holy silence, cried: "Arise!"

Swift as a Thought by the snake Memory stung,

From her ambrosial rest the fading Splendour sprung.

In the death-chamber for a moment Death,

Sham'd by the presence of that living Might,

Blush'd to annihilation, and the breath

Revisited those lips, and Life's pale light

Flash'd through those limbs, so late her dear delight.

"Leave me not wild and drear and comfortless,

As silent lightning leaves the starless night!

Leave me not!" cried Urania: her distress

Rous'd Death: Death rose and smil'd, and met her vain caress.

"Stay yet awhile! speak to me once again;

Kiss me, so long but as a kiss may live;

And in my heartless breast and burning brain

That word, that kiss, shall all thoughts else survive,

With food of saddest memory kept alive,

Now thou art dead, as if it were a part

Of thee, my Adonaïs! I would give

All that I am to be as thou now art!

But I am chain'd to Time, and cannot thence depart!

"O gentle child, beautiful as thou wert,

Why didst thou leave the trodden paths of men

Too soon, and with weak hands though mighty heart

Dare the unpastur'd dragon in his den?

Defenceless as thou wert, oh, where was then

Wisdom the mirror'd shield, or scorn the spear?

Or hadst thou waited the full cycle, when

Thy spirit should have fill'd its crescent sphere,

The monsters of life's waste had fled from thee like deer.

"The herded wolves, bold only to pursue;

The obscene ravens, clamorous o'er the dead;

The vultures to the conqueror's banner true

Who feed where Desolation first has fed,

And whose wings rain contagion; how they fled,

When, like Apollo, from his golden bow

The Pythian of the age one arrow sped

And smil'd! The spoilers tempt no second blow,

They fawn on the proud feet that spurn them lying low.

"The sun comes forth, and many reptiles spawn;

He sets, and each ephemeral insect then

Is gather'd into death without a dawn,

And the immortal stars awake again;

So is it in the world of living men:

A godlike mind soars forth, in its delight

Making earth bare and veiling heaven, and when

It sinks, the swarms that dimm'd or shar'd its light

Leave to its kindred lamps the spirit's awful night."

Thus ceas'd she: and the mountain shepherds came,

Their garlands sere, their magic mantles rent;

The Pilgrim of Eternity, whose fame

Over his living head like Heaven is bent,

An early but enduring monument,

Came, veiling all the lightnings of his song

In sorrow; from her wilds Ierne sent

The sweetest lyrist of her saddest wrong,

And Love taught Grief to fall like music from his tongue.

A pardlike Spirit beautiful and swift--

A Love in desolation mask'd--a Power

Girt round with weakness--it can scarce uplift

The weight of the superincumbent hour;

It is a dying lamp, a falling shower,

A breaking billow; even whilst we speak

Is it not broken? On the withering flower

The killing sun smiles brightly: on a cheek

The life can burn in blood, even while the heart may break.

What softer voice is hush'd over the dead?

What form leans sadly o'er the white death-bed,

In mockery of monumental stone,

The heavy heart heaving without a moan?

If it be He, who, gentlest of the wise,

Taught, sooth'd, lov'd, honour'd the departed one,

Let me not vex, with inharmonious sighs,

The silence of that heart's accepted sacrifice.

Our Adonaïs has drunk poison--oh!

What deaf and viperous murderer could crown

Life's early cup with such a draught of woe?

The nameless worm would now itself disown:

It felt, yet could escape, the magic tone

Whose prelude held all envy, hate and wrong,

But what was howling in one breast alone,

Silent with expectation of the song,

Whose master's hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!

Live! fear no heavier chastisement from me,

Thou noteless blot on a remember'd name!

But be thyself, and know thyself to be!

And ever at thy season be thou free

To spill the venom when thy fangs o'erflow;

Remorse and Self-contempt shall cling to thee;

Hot Shame shall burn upon thy secret brow,

And like a beaten hound tremble thou shalt--as now.

Nor let us weep that our delight is fled

Far from these carrion kites that scream below;

He wakes or sleeps with the enduring dead;

Thou canst not soar where he is sitting now.

Dust to the dust! but the pure spirit shall flow

Back to the burning fountain whence it came,

A portion of the Eternal, which must glow

Through time and change, unquenchably the same,

Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep,

He hath awaken'd from the dream of life;

'Tis we, who lost in stormy visions, keep

With phantoms an unprofitable strife,

And in mad trance, strike with our spirit's knife

Invulnerable nothings. We decay

Like corpses in a charnel; fear and grief

Convulse us and consume us day by day,

And cold hopes swarm like worms within our living clay.

He has outsoar'd the shadow of our night;

Envy and calumny and hate and pain,

And that unrest which men miscall delight,

Can touch him not and torture not again;

From the contagion of the world's slow stain

He is secure, and now can never mourn

A heart grown cold, a head grown gray in vain;

Nor, when the spirit's self has ceas'd to burn,

With sparkless ashes load an unlamented urn.

He lives, he wakes--'tis Death is dead, not he;

Mourn not for Adonaïs. Thou young Dawn,

Turn all thy dew to splendour, for from thee

The spirit thou lamentest is not gone;

Ye caverns and ye forests, cease to moan!

Cease, ye faint flowers and fountains, and thou Air,

Which like a mourning veil thy scarf hadst thrown

O'er the abandon'd Earth, now leave it bare

Even to the joyous stars which smile on its despair!

He is made one with Nature: there is heard

His voice in all her music, from the moan

Of thunder, to the song of night's sweet bird;

He is a presence to be felt and known

In darkness and in light, from herb and stone,

Spreading itself where'er that Power may move

Which has withdrawn his being to its own;

Which wields the world with never-wearied love,

Sustains it from beneath, and kindles it above.

He is a portion of the loveliness

Which once he made more lovely: he doth bear

His part, while the one Spirit's plastic stress

Sweeps through the dull dense world, compelling there

All new successions to the forms they wear;

Torturing th' unwilling dross that checks its flight

To its own likeness, as each mass may bear;

And bursting in its beauty and its might

From trees and beasts and men into the Heaven's light.

The splendours of the firmament of time

May be eclips'd, but are extinguish'd not;

Like stars to their appointed height they climb,

And death is a low mist which cannot blot

The brightness it may veil. When lofty thought

Lifts a young heart above its mortal lair,

And love and life contend in it for what

Shall be its earthly doom, the dead live there

And move like winds of light on dark and stormy air.

The inheritors of unfulfill'd renown

Rose from their thrones, built beyond mortal thought,

Far in the Unapparent. Chatterton

Rose pale, his solemn agony had not

Yet faded from him; Sidney, as he fought

And as he fell and as he liv'd and lov'd

Sublimely mild, a Spirit without spot,

Arose; and Lucan, by his death approv'd:

Oblivion as they rose shrank like a thing reprov'd.

And many more, whose names on Earth are dark,

But whose transmitted effluence cannot die

So long as fire outlives the parent spark,

Rose, rob'd in dazzling immortality.

"Thou art become as one of us," they cry,

"It was for thee yon kingless sphere has long

Swung blind in unascended majesty,

Silent alone amid a Heaven of Song.

Assume thy winged throne, thou Vesper of our throng!"

Who mourns for Adonaïs? Oh, come forth,

Fond wretch! and know thyself and him aright.

Clasp with thy panting soul the pendulous Earth;

As from a centre, dart thy spirit's light

Beyond all worlds, until its spacious might

Satiate the void circumference: then shrink

Even to a point within our day and night;

And keep thy heart light lest it make thee sink

When hope has kindled hope, and lur'd thee to the brink.

Or go to Rome, which is the sepulchre,

Oh, not of him, but of our joy: 'tis nought

That ages, empires and religions there

Lie buried in the ravage they have wrought;

For such as he can lend--they borrow not

Glory from those who made the world their prey;

And he is gather'd to the kings of thought

Who wag'd contention with their time's decay,

And of the past are all that cannot pass away.

Go thou to Rome--at once the Paradise,

The grave, the city, and the wilderness;

And where its wrecks like shatter'd mountains rise,

And flowering weeds, and fragrant copses dress

The bones of Desolation's nakedness

Pass, till the spirit of the spot shall lead

Thy footsteps to a slope of green access

Where, like an infant's smile, over the dead

A light of laughing flowers along the grass is spread;

And gray walls moulder round, on which dull Time

Feeds, like slow fire upon a hoary brand;

And one keen pyramid with wedge sublime,

Pavilioning the dust of him who plann'd

This refuge for his memory, doth stand

Like flame transform'd to marble; and beneath,

A field is spread, on which a newer band

Have pitch'd in Heaven's smile their camp of death,

Welcoming him we lose with scarce extinguish'd breath.

Here pause: these graves are all too young as yet

To have outgrown the sorrow which consign'd

Its charge to each; and if the seal is set,

Here, on one fountain of a mourning mind,

Break it not thou! too surely shalt thou find

Thine own well full, if thou returnest home,

Of tears and gall. From the world's bitter wind

Seek shelter in the shadow of the tomb.

What Adonaïs is, why fear we to become?

The One remains, the many change and pass;

Heaven's light forever shines, Earth's shadows fly;

Life, like a dome of many-colour'd glass,

Stains the white radiance of Eternity,

Until Death tramples it to fragments.--Die,

If thou wouldst be with that which thou dost seek!

Follow where all is fled!--Rome's azure sky,

Flowers, ruins, statues, music, words, are weak

The glory they transfuse with fitting truth to speak.

Why linger, why turn back, why shrink, my Heart?

Thy hopes are gone before: from all things here

They have departed; thou shouldst now depart!

A light is pass'd from the revolving year,

And man, and woman; and what still is dear

Attracts to crush, repels to make thee wither.

The soft sky smiles, the low wind whispers near:

'Tis Adonaïs calls! oh, hasten thither,

No more let Life divide what Death can join together.

That Light whose smile kindles the Universe,

That Beauty in which all things work and move,

That Benediction which the eclipsing Curse

Of birth can quench not, that sustaining Love

Which through the web of being blindly wove

By man and beast and earth and air and sea,

Burns bright or dim, as each are mirrors of

The fire for which all thirst; now beams on me,

Consuming the last clouds of cold mortality.

The breath whose might I have invok'd in song

Descends on me; my spirit's bark is driven,

Far from the shore, far from the trembling throng

Whose sails were never to the tempest given;

The massy earth and sphered skies are riven!

I am borne darkly, fearfully, afar;

Whilst, burning through the inmost veil of Heaven,

The soul of Adonaïs, like a star,

Beacons from the abode where the Eternal are.


>> fragmentos de "Adonaïs: An Elegy on the Death of John Keats" (1821) escrito por Percy Bysshe Shelley.

>> o trecho em negrito foi citado por Mick Jagger no famoso show "The Stones in the Park" (1969) em homenagem ao guitarrista e co-fundador da banda, Brian Jones, que morreu no dia anterior ao show, marcando a entrada de Ron Wood.

A vida é cheia de som e fúria

Tomorrow and tomorrow and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

>> fonte: solilóquio do protagonista em Macbeth, ato 5, cena 5, linhas 19-28, by William Shakespeare